Bee Sting, The (Winner Of An Post Irish Book Of The Year 2023

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WINNER OF THE NERO BOOK AWARD FOR FICTION 2023
WINNER OF AN POST IRISH BOOK OF THE YEAR 2023
SHORTLISTED FOR THE BOOKER PRIZE 2023
SHORTLISTED FOR THE WRITERS' PRIZE FOR FICTION 2024
SHORTLISTED FOR THE KERRY GROUP NOVEL OF THE YEAR 2024
ONE OF SARAH JESSICA PARKER'S BEST BOOKS OF 2023

Book of the Year 2023 according to New York Times, New Yorker, The Sunday Times, The Economist, Observer, Guardian, Washington Post, Lit Hub, TIME magazine, Irish Times, The Oldie, Daily Mail, i Paper, Independent, The Standard, The Times, Kirkus, Daily Express, City A.M.

'A tragicomic triumph. You won't read a sadder, truer, funnier novel this year' Guardian

The Barnes family are in trouble. Until recently they ran the biggest business in town, now they're teetering on the brink of bankruptcy - and that's just the start of their problems. Dickie and Imelda's marriage is hanging by a thread; straight-A student Cass is careening off the rails; PJ is hopelessly in debt to the school bully. Meanwhile the ghosts of old mistakes are rising out of the past to meet them, but everyone's too wrapped up in the present to see the danger looming . . .

'Generous, immersive, sharp-witted and devastating; the sort of novel that becomes a friend for life' Financial Times

'Paul Murray [is] the undisputed reigning champion of epic Irish tragicomedy' Spectator

'An instant classic' Washington Post

'[An] astute, remorselessly funny novel' Daily Mirror

'A wagyu steak of a novel . . . A classic in the mode of The Corrections' The Times

Review: It can't be overstated how purely pleasurable The Bee Sting is to read. Murray's brilliant new novel, about a rural Irish clan, posits the author as Dublin's answer to Jonathan Franzen . . . A 650-page slab of compulsive high-grade entertainment, The Bee Sting oozes pathos while being very funny to boot . . . Murray's observational gifts and A-game phrase-making render almost every page - every line, it sometimes seems - abuzz with fresh and funny insights . . . At its core this is a novel concerned with the ties that bind, secrets and lies, love and loss. They're all here, brought to life with captivating vigour in a first-class performance to cherish * Observer (Anthony Cummins) *
The Bee Sting is the finest novel that Murray has yet written and will surely be one of the books of 2023 . . . It bears comparison to the brilliant comic writer Jonathan Coe... But Murray is his own writer, capable of keeping a multi-faceted and compulsive plot moving along with alacrity and confidence, while seamlessly blending drama, comedy and heartbreak... For 13 years, Paul Murray has been best known as the author of Skippy Dies. That, I suspect, is about to change * Sunday Independent *
Immersive, brilliantly structured, beautifully written, so dense yet so compelling, [and] as laugh-out-loud funny as it is deeply disturbing . . . The Bee Sting is as ambitious as anything that has gone before, but with a focus and shape that grants it great depth as well as breadth. Seriously, all you need is this, your suntan lotion and a few days off work and you're good to go . . . I didn't see the plot twists coming. And they keep on coming, And coming again . . . I began with an ovation. I'll end abruptly, and in awe... Paul Murray, the undisputed reigning champion of epic Irish tragicomedy, has done it again * The Spectator (Ian Samson) *
The most enjoyable new novel I came across this year. A sprawling, Franzen-esque saga about the Barnes family in Ireland recovering from the 2008 financial crisis, it's an amazing piece of realist fiction, full-bodied, multi-narrative; a huge swing by Murray -- Bret Easton Ellis * Observer *
A triumph. The Bee Sting deserves all the praise I am heaping on it. It is generous, immersive, sharp-witted and devastating; the sort of novel that becomes a friend for life * Financial Times (John Self) *
Expertly foreshadowed and so intricately put together, a brilliantly funny, deeply sad portrait of an Irish family in crisis . . . Murray is triumphantly back on home turf - troubled adolescents, regretful adults, secrets signposted and exquisitely revealed, each line soaked in irony ranging from the gentle to the savage . . . We live though hundreds of pages on tenterhooks, and the suspense and revelations keep coming until the end [...] He is brilliant on fathers and sons, sibling rivalry, grief, self-sabotage and self-denial, as well as the terrible weakness humans have for magical thinking... A tragicomic triumph, you won't read a sadder, truer, funnier novel this year * Guardian (Justine Jordan) *
This bumper novel is already gaining plaudits as the book of the summer, and if it's a meaty, heart punching, expertly executed family saga you need this August, then you can stop the search now . . . Murray delivers scarcely a duff sentence in a 600-page novel that's pure unadulterated pleasure. It's been compared to Jonathan Franzen's The Corrections; I'd argue it's better than that * Daily Mail (Claire Allfree) *
No one writes tragicomedy as good as this . . . Both brilliant entertainment and a penetrating look at the human condition, as heavy with pathos as it is rich with humour. And if 650 pages asks a lot of the reader, in this case it more than delivers -- Nick Duerden * iNews *
Delightfully rackety, raucously funny... The Bee Sting is on a par with Skippy Dies, Murray's most beloved book, and certainly exceeds it in ambition. A masterpiece * Irish Independent *
Murray is a natural storyteller who knows when to withhold, to indulge, to surprise. He specialises, like Dickens, in lengthy sagas that are mammoth in scope, generous with detail and backstory, flush with humour and colourful characters, all of it steeped in social realism . . . Ambitious, expansive, hugely entertaining tragicomic fiction * Irish Times (Sarah Gilmartin) *
Carefully paced, brilliantly convincing and helped along by plenty of subtle satire . . . A huge, marbled wagyu steak of a novel that ranges confidently from humane to horrifying. It's a classic family saga in the mode of The Corrections or The Sound and the Fury . . . Murray delights in taking a stock type - the sullen pubescent, the frazzled mother - and exploding it with ambiguity and empathy . . . An immensely enjoyable piece of expert craftsmanship * The Times (James Riding) *
This novel is as generous, expansive, and glorious as a cathedral, as intimate as pillow-talk, and as funny and heartbreaking as nothing you've read before. Paul Murray may just be the most spellbinding storyteller writing today. A magisterial piece of work -- Neel Mukherjee, author of 'The Lives of Others'
Bold [and] expansive . . . Paul Murray is consistently inventive, observant and funny. He is on intimate terms with this preteen boy, this teenage girl, this lost middle-aged man and this semi-educated woman, and he knows how to make them vivid . . . The pages turn rapidly as farce and tragedy converge, the latter threatening to get the upper hand * Times Literary Supplement *
Utterly absorbing . . . Every perfectly tooled sentence slips down as cleanly as an ice-cold Negroni * Daily Mail '2023 Summer Reads' *
[The Bee Sting] reads like an instant classic . . . Murray is a fantastically witty and empathetic writer, and he dazzles by somehow bringing the great sprawling randomness of life to glamorously choreographed climaxes. He is essentially interested in the moral conflicts of our lives, and he handles his characters and their failings with heartbreaking tenderness -- Ron Charles * The Washington Post *
Murray's writing is pure joy - propulsive, insightful and seeded with hilarious observations . . . Through the Barneses' countless personal dramas, Murray explores humanity's endless contradictions: How brutal and beautiful life is. How broken and also full of potential. How endlessly fraught and persistently promising. Whether or not we can ever truly change our course, the hapless Barneses will keep you hoping, even after you turn the novel's last page -- Jen Doll * New York Times *
A family lurches into financial and emotional crisis in full view of judgmental neighbours in this astute, remorselessly funny novel about how people are invariably more complex than they first appear . . . Murray tackles some of the biggest issues facing our society in a thoughtful, tragicomic novel exploring smalltown society and social class * Daily Mirror (Huston Gilmore) *
The overall tapestry Murray weaves is not one of desolation but of hope. This is a book that showcases one family's incredible love and resilience even as their world crumbles around them * New York Times, 'Best Books of 2023' *
Fluid, funny and clever, exceptionally smartly structured . . . There's laughter in every other line, but there's also a compassion and a midlife wisdom at work * Literary Review (Paul Genders) *
Funny, dark, moving and deeply humane. It's also driven by an inexorable tragic force, and Murray's intricate narrative dexterity makes it very easy to keep turning all those hundreds of pages * Observer (Summer Reads - Mark O'Connell) *
This epic, many-layered tragicomedy of an Irish family in crisis is as pleasurable to read as it is emotionally devastating * Guardian ('Summer Stories') *
Breathtaking, blackly comic, Murray's style is entirely and distinctively his own . . . Handling the plot as if it were a Rubik cube, [he] gives each character their voice in a carousel of first-person accounts, tracking backwards and into the present . . . The Bee Sting is an immersion in the tragedy of what-might-have-been * Herald (Rosemary Goring) *
The tale of a dysfunctional family trying to hold things together. It's a thing of beauty, a novel that will fill your heart -- Alex Preston * Observer, 'Fiction to look out for in 2023' *
The Bee Sting has resulted in Murray being heralded "Dublin's Jonathan Franzen" . . . No one does bittersweet comic novels quite like