Dance Discourses: Keywords In Dance Research
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Description:
Focusing on Politics, Gender, and Identities, a group of international dance scholars provide a broad overview of new methodological approaches - with specific case studies - and how they can be applied to the study of ballet and modern dance. With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, t...
Focusing on Politics, Gender, and Identities, a group of international dance scholars provide a broad overview of new methodological approaches - with specific case studies - and how they can be applied to the study of ballet and modern dance. With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, t...
Description:
Focusing on Politics, Gender, and Identities, a group of international dance scholars provide a broad overview of new methodological approaches - with specific case studies - and how they can be applied to the study of ballet and modern dance. With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts: politics; explores 'Ausdruckstanz' - an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others gender; examines eighteenth century theatrical dance - a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes identity is concerned with modern dance. Exploring contemporary analytical approaches to understanding performance traditions, 'Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.
Table of Contents:
Contents List of illustrations Notes on contributors Acknowledgements Introduction 'Susanne Franco and Marina Nordera 'Part 1: keyword: POLITICS topic: AUSDRUCKSTANZ 1.1 Dance and the political: States of exception' Mark Franko' 1.2 Fritz Bohme (1881-1952). Archeology of an ideologue 'Laure Guilbert' 1.3 'Ausdruckstanz' across the Atlantic 'Susan Manning '1.4 Ausdruckstanz on the left and the work of Jean Weidt 'Yvonne Hardt' 1.5 'Ausdruckstanz:' traditions, translations, transmissions 'Susanne Fanco' Part 2: keyword: FEMININE. MASCULINE topic: THEATRICAL DANCE IN THE EIGHTEENTH CENTURY 2.1 Feminine. Masculine' Linda Tomko ' 2.2 Dido's otherness: Choreographing race and gender in the ballet d'action 'Susan Leigh Foster' 2.3 Danseuses and danseurs at the Opera de Paris (1700-25) according to the cast lists in the libretto--programs 'Nathalie Lecomte '2.4 A balance lost: Staging the body and controlling social mobility during the French Revolution' Inge Baxmann' 2.5 Gender underway. Notes for histories yet to be written 'Marina Nordera' Part 3: keyword: IDENTITIES topic: CONTEMPORARY DANCE 3.1 Dance, identity and identification in the postcolonial world' Andree Grau' 3.2 Resistant identities: Anderson and Ruckert 'Ramsay Burt' 3.3 Donald Byrd: Re/making 'beauty' Thomas deFrantz' 3.4 Dispositif trouble: When what is said is not what is shown 'Helene Marquie' 3.5 Identity, the contemporary, and the dancers' Isabelle Ginot 'Name index
Focusing on Politics, Gender, and Identities, a group of international dance scholars provide a broad overview of new methodological approaches - with specific case studies - and how they can be applied to the study of ballet and modern dance. With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts: politics; explores 'Ausdruckstanz' - an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others gender; examines eighteenth century theatrical dance - a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes identity is concerned with modern dance. Exploring contemporary analytical approaches to understanding performance traditions, 'Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.
Table of Contents:
Contents List of illustrations Notes on contributors Acknowledgements Introduction 'Susanne Franco and Marina Nordera 'Part 1: keyword: POLITICS topic: AUSDRUCKSTANZ 1.1 Dance and the political: States of exception' Mark Franko' 1.2 Fritz Bohme (1881-1952). Archeology of an ideologue 'Laure Guilbert' 1.3 'Ausdruckstanz' across the Atlantic 'Susan Manning '1.4 Ausdruckstanz on the left and the work of Jean Weidt 'Yvonne Hardt' 1.5 'Ausdruckstanz:' traditions, translations, transmissions 'Susanne Fanco' Part 2: keyword: FEMININE. MASCULINE topic: THEATRICAL DANCE IN THE EIGHTEENTH CENTURY 2.1 Feminine. Masculine' Linda Tomko ' 2.2 Dido's otherness: Choreographing race and gender in the ballet d'action 'Susan Leigh Foster' 2.3 Danseuses and danseurs at the Opera de Paris (1700-25) according to the cast lists in the libretto--programs 'Nathalie Lecomte '2.4 A balance lost: Staging the body and controlling social mobility during the French Revolution' Inge Baxmann' 2.5 Gender underway. Notes for histories yet to be written 'Marina Nordera' Part 3: keyword: IDENTITIES topic: CONTEMPORARY DANCE 3.1 Dance, identity and identification in the postcolonial world' Andree Grau' 3.2 Resistant identities: Anderson and Ruckert 'Ramsay Burt' 3.3 Donald Byrd: Re/making 'beauty' Thomas deFrantz' 3.4 Dispositif trouble: When what is said is not what is shown 'Helene Marquie' 3.5 Identity, the contemporary, and the dancers' Isabelle Ginot 'Name index
| Autor | Franco, Susanne; Nordera, Marina |
|---|---|
| Ilmumisaeg | 2007 |
| Kirjastus | Taylor & Francis Ltd |
| Köide | Pehmekaaneline |
| Bestseller | Ei |
| Lehekülgede arv | 296 |
| Pikkus | 216 |
| Laius | 216 |
| Keel | English |
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