Brazil On Screen: Cinema Novo, New Cinema And Utopia

Description:
Two periods of Brazilian film history are particularly notable for their artistic momentum: the Cinema Novo movement of the 1960s and early '70s, and the film revival from the mid 1990s onwards. What makes them especially strong, this book argues, is their utopian impulse. By adopting Utopia as a theme, as well as a method of film analysis, Lucia Nagib unveils, organises and interprets a fascinating wealth of recurrent images, which are a bridge between a cinema strongly concerned with the national project and another informed by global culture. Outstanding recent films, such as 'Central Station', 'Perfumed Ball', 'Hans Staden', 'Orfeu', 'City of God' and 'The Trespasser', are illuminated by Nagib's sharp analysis, which detects utopian, anti-utopian and even dystopian impulses in them. They are at once representatives of a political arena in constant struggle against underdevelopment and legitimate (as well as critical) heirs of past cinematic traditions. Throwing new light on a large selection of Cinema Novo and contemporary films, this book thus presents a national cinema that rejects the end of history and of film history, while benefiting from, and contributing to, a new transnational aesthetics.

Review:
'Brazil on Screen' takes on the challenge of presenting in an organised and elucidating manner, in clear prose that shifts effortlessly between multiple approaches to very different films, central aspects of the rich and complex material that contemporary Brazilian cinema attempts to shape.' From the Preface by Davi Arrigucci Jr 'Written by a brilliant film reader, Nagib's essays... make it obligatory to watch all those films again with renewed attention to the details she unveils.' Sergio Rizzo, 'Folha de S. Paulo' 'From now on every study of the Brazilian cinema will need to take into consideration Lucia Nagib's book.' Alcino Leite Neto, 'Tropico'

Author Biography:
Lucia Nagib is Centenary Professor of World Cinema and Director of the Centre for World Cinemas at the University of Leeds. Her books include 'Werner Herzog - Film as Realit'y, 'Born of the Ashes: The Auteur and the Individual in Oshima's Films', 'Around the Japanese Nouvelle Vague' and (as editor) 'The New Brazilian Cinema' (I.B. Tauris, 2004). She is Series Editor of 'Tauris World Cinema Series'.